DURING THE RENAISSANCE, ARTISTS CAME to be viewed as creative geniuses with almost divine qualities. One individual who helped create this image was himself a painter. Giorgio Vasari (JOR-joh vuh-ZAHR-ee) was an avid admirer of Italy's great artists and wrote a series of brief biographies of them. This excerpt is taken from his account of Leonardo da Vinci.
Giorgio Vasari, Lives of the Artists
“In the normal course of events many men and women are born with various remarkable qualities and talents; but occasionally, in a way that transcends nature, a single person is marvelously endowed by heaven with beauty, grace, and talent in such abundance that he leaves other men far behind, all his actions seem inspired, and indeed everything he does clearly comes from God rather than from human art.
Everyone acknowledged that this was true of Leonardo da Vinci, an artist of outstanding physical beauty who displayed infinite grace in everything he did and who cultivated his genius so brilliantly that all problems he studied he solved with ease. He possessed great strength and dexterity; he was
a man of regal spirit and tremendous breadth of mind; and his name became so famous that not only was he esteemed during his lifetime but his reputation endured and became even greater after his death....
“He was marvelously gifted, and he proved himself to be a first-class geometrician in his work as a sculptor and architect. In his youth Leonardo made in clay several heads of women, with smiling faces, of which plaster casts are still being made, as well as some children's heads executed as if by a mature artist. He also did many architectural drawings both of ground plans and of other elevations, and, while still young, he was the first to propose reducing the Arno River to a navigable canal between Pisa and Florence. He made designs for mills, fulling machines, and engines that could be driven by waterpower; and as he intended to be a painter by profession he carefully studied drawing from life.... Altogether, his genius was so wonderfully inspired by the grace of God, his powers of expression were so powerfully fed by a willing memory and intellect, and his writing conveyed his ideas so precisely, that his arguments and reasonings confounded the most formidable critics. In addition, he used to make models and plans showing how to excavate and tunnel through mountains without difficulty, so as to pass from one level to another; and he demonstrated how to lift and draw great weights by means of levers and hoists and ways of cleaning harbors and using pumps to suck up water from great depths.”
What about his own intellectual pursuits troubled Petrarch? How does the conflict within Petrarch reflect the historical debate about the nature of the Renaissance?